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MP3 Gold Coast Refuse - Yours From Ascentia

Komplettes MP3 Album von Gold Coast Refuse
Angegebene Spieldauer: 33:31
Veröffentlichungsdatum: 2005-03-07
Kurz-Beschreibung von CDbaby: Old school Wilco meets Oasis, a blend of rock, folk & americana which is sure to please any music fan.

Käufer, die sich für (Wilco Oasis REM) interessieren sollten sich dieses Album anhören.

Weitere Informationen vom Distributor:
The story of Gold Coast Refuse is rather ordinary. The music they’re making is anything but.

Critics praise Gold Coast Refuse’s sound as "a modern yet rootsy blend of thoughtful, impassioned rock and roll," "roots rock with an edge," "new, unique but built on the past," "owing as much to Big Star as Uncle Tupelo."

But as for the story . . . it begins with the meeting of Jeff Falk and Michael Paeth in Chicago in 2002. They began collaborating on original material and recording in a warehouse loft. When some of their early tapes found their way to Brian McDonnell, he would soon become a regular in the writing and recording sessions.

The three quickly developed a wealth of original material, trading off on a variety of instruments as Falk and McDonnell shared vocal duties. Guitar being the instrument of choice for all three, the writing often centered around plush acoustic and electric guitar arrangements and three-guitar harmonies. Drummer Ken Ward and bassist Michael Gros were recruited to form the rhythm section and the line-up was complete.

Taking the name Gold Coast Refuse from one of their song lyrics, the band cut a quick demo in 2003, and spent the next two years building an audience and honing their live performance. They were soon stealing the spotlight at national showcases (such as Cincinnati’s MidPoint Music Festival in 2003 and 2004) and headlining legendary Chicago clubs like the Abbey Pub and Double Door.

Their first full-length album, "Yours from Ascentia," was released on the band’s own Mile Long Records label in 2005. The album succinctly captures the diversity of Gold Coast Refuse’s writing. In ten songs, the band creates a wide spectrum of sound - from the acoustic roots of Big Buildings and In a Bag to the gritty garage rock of Shine and Sun on the Floor.

The songs and performance are authentic, unassuming and inviting, presenting listeners with a broad cross-section of American music’s past, present and future.

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